On Campus @ WSU
Episode Descriptions
Molecular Adaptations for Extreme Living
Lisa Gloss, Associate Professor, School of Molecular Biosciences, WSU
Chemical adaptations allow single-celled archae like E. coli to populate areas of Earth inhospitable to other organisms. Associate Professor Lisa Gloss points an eye toward understanding extreme living in general and shedding light on the origin and evolution of life on Earth and possible origin on other worlds.
Characterizing Risk to Tame Uncertainty
Eugene A. Rosa, Professor of Sociology, Washington State University
Risk, says Sociology professor Gene Rosa, is both a state of the world and a means for understanding that state. Uncertainty is fundamental to the human experience and to societies. Understand risk can uncover tools that assist in mitigating it.
Keynote Address, Edward R. Murrow Symposium
David Fanning, Executive Producer, FRONTLINE
David Fanning accepts the Edward R. Murrow Award for Distinguished Achievement in Journalism. In the keynote address to the Morrow Symposium, Mr. Fanning outlines the career path that led him to FRONTLINE. Along with FRONTLINE co-producer Michael Kirk, Mr. Fanning takes questions from the audience and addresses further words on the state of the media today and memorable moments in his own career.
Schools, Skills and Synapses
James J. Heckman, Henry Schultz Professor of Economics, The University of Chicago
Undue stress is placed by the US government and policy on classroom size and student-teacher ratios in education, argues Professor Heckman. Beyond books and teachers – much earlier, in fact, than preschool – socio-emotional skills, developed early and absorbed from the immediate environment, play a significant role in predisposing children to relative success or failure in school and beyond.
Pakistan After Bhutto: Perils and Prospects
Wendy Chamberlin, Former U.S. Ambassador to Pakistan
In this program, Wendy Chamberlin presents comments on recent changes in the political climate of Pakistan and takes questions from the audience.
Earmarks and Pork: Congress, Presidents and the Constitution
Panelists: Carolyn Long, Scott Frisch and Sean Kelly
Panelists Scott Frisch, Carolyn Long and Sean Kelly, define Pork in politics and discuss the efficacy of U.S. congressional earmarking, applying perspectives from individualized experience and research.
Maya Lessov writing samples
Monday, May 23, 2011
Sunday, May 22, 2011
Experience WSU
Episode Descriptions
Trevor Bond
Head of Manuscripts, Archives and Special Collections, WSU
Trevor Bond discusses his work with the John Johnson collection of ephemera at Oxford University. Never meant to be preserved, unique ephemeral prints nevertheless attract archivists from around the world. In this interview, Trevor Bond explains why.
Mark Kuzyk
Professor of Physics, Washington State University
Mark Kuzyk studies the interaction of light and matter. Kuzyk designs and tests molecules to see how they interact with high-intensity light. He shares his enthusiasm for his field and discusses its applications in nonlinear materials.
Michael Skinner
Director of the Center for Reproductive Biology, Washington State University
Michael Skinner's laboratory presented a revolutionary observation about the nature of disease. Professor Skinner explains what "metagenetics" means and discusses the way heritable changes can occur without actual change in the DNA.
Tom Johnson
Science Instruction Technical Supervisor, Physics and Astronomy, WSU
Tom Johnson assists professors in Physics and Astronomy with visual demonstrations. Here, he shares his favorite demonstrations and discusses the rewards of his work.
Keith Bloom
Director of Construction and Quality Services at Capital Planning and Development, WSU
Keith Bloom says that the greatest architecture resides on university campuses. Hired during the construction of Holland Library, Mr. Bloom has since led one billion dollars’ worth of work in Pullman and the urban campuses. Here, he shares his passion for building and beauty.
Episode Descriptions
Trevor Bond
Head of Manuscripts, Archives and Special Collections, WSU
Trevor Bond discusses his work with the John Johnson collection of ephemera at Oxford University. Never meant to be preserved, unique ephemeral prints nevertheless attract archivists from around the world. In this interview, Trevor Bond explains why.
Mark Kuzyk
Professor of Physics, Washington State University
Mark Kuzyk studies the interaction of light and matter. Kuzyk designs and tests molecules to see how they interact with high-intensity light. He shares his enthusiasm for his field and discusses its applications in nonlinear materials.
Michael Skinner
Director of the Center for Reproductive Biology, Washington State University
Michael Skinner's laboratory presented a revolutionary observation about the nature of disease. Professor Skinner explains what "metagenetics" means and discusses the way heritable changes can occur without actual change in the DNA.
Tom Johnson
Science Instruction Technical Supervisor, Physics and Astronomy, WSU
Tom Johnson assists professors in Physics and Astronomy with visual demonstrations. Here, he shares his favorite demonstrations and discusses the rewards of his work.
Keith Bloom
Director of Construction and Quality Services at Capital Planning and Development, WSU
Keith Bloom says that the greatest architecture resides on university campuses. Hired during the construction of Holland Library, Mr. Bloom has since led one billion dollars’ worth of work in Pullman and the urban campuses. Here, he shares his passion for building and beauty.
Painting the West
Episode Descriptions
Episode 1: Tetons
Pay attention to the top of the painting and keep your canvas edges covered, warns Fred as he paints one of his favorite subjects with energy and speed. A lot of cobalt blue, a good deal of white and a touch of alizarin crimson (“to keep the snow warm”) go a long way in this scene of the Teton Mountains and their lakeside visitors in the foreground.
ALT.: Fred paints his version of the Teton Mountains with spry energy. He includes a small lake in the foothills and a pitched tent with the fire smokin'.
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Episode 4: Chief Watson Totus
Fred grew up on an Indian reservation in Washington State and remembers playing with a boy who later became a chief. He recreates him here, with the feathers the Yakima tribe adopted late in its history from trading with inland, plains nations. “The main thing about a portrait,” says Fred, “is the expression that you're going to get on the face.”
ALT: Fred paints an imposing portrait of Yakima chief Watson Totus, whom he knew as a boy.
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Episode 5: Old Trapper
Fred remembers having to do a lot of trapping in his younger days. “We had to make a few bucks and that's the way we did it.” The brush and pallet knife come together for this snowy rendition of a trapper on his horse. When painting people on horseback Fred warns, “you've got to make em sit down in that saddle. Or it looks kind of awkward if you don't.” Besides, it's warmer this way.
ALT: It's cold out there but a man has to make a living. Fred finds beauty in shades of gray with this image of a trapper and his horse in winter.
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Episode 7: Covered Wagon
“A lot of people won't believe this, but I've traveled a lot of miles in a covered wagon,” says Fred. In the 1930s, he asked his father, “Dad, you see them things running up and down the road with the smoke flyin' out of em? Them are cars. That's what people drive on nowadays.” But no Model-T could look this good at the end of its life on the high plains.
ALT.: While many families enjoyed the luxuries of a Model-T car, Fred and his relatives traveled in a covered wagon. In this painting, one sits quietly passing its last days by some prairie trees.
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Episode 8: Miner’s Cabin
You're going to want to walk right into this painting, open the door and sit by the fire. This scene of a cabin in the woods reminds Fred of the days when he "worked the mines for a dollar a day." Using the pallet knife, he shows us how to create the impression of logs, light and reflection, allowing subtlety to rule. As always, we enjoy Fred's mix of life lessons, history and painting.
ALT.: It isn't easy making a living in the winter. Fred paints this cozy, snowcapped miner's cabin, reminding us of the things we look forward to in coming home.
Episode Descriptions
Episode 1: Tetons
Pay attention to the top of the painting and keep your canvas edges covered, warns Fred as he paints one of his favorite subjects with energy and speed. A lot of cobalt blue, a good deal of white and a touch of alizarin crimson (“to keep the snow warm”) go a long way in this scene of the Teton Mountains and their lakeside visitors in the foreground.
ALT.: Fred paints his version of the Teton Mountains with spry energy. He includes a small lake in the foothills and a pitched tent with the fire smokin'.
------------------------------------------------------------------------------------------------
Episode 4: Chief Watson Totus
Fred grew up on an Indian reservation in Washington State and remembers playing with a boy who later became a chief. He recreates him here, with the feathers the Yakima tribe adopted late in its history from trading with inland, plains nations. “The main thing about a portrait,” says Fred, “is the expression that you're going to get on the face.”
ALT: Fred paints an imposing portrait of Yakima chief Watson Totus, whom he knew as a boy.
-----------------------------------------------------------------------------------------------
Episode 5: Old Trapper
Fred remembers having to do a lot of trapping in his younger days. “We had to make a few bucks and that's the way we did it.” The brush and pallet knife come together for this snowy rendition of a trapper on his horse. When painting people on horseback Fred warns, “you've got to make em sit down in that saddle. Or it looks kind of awkward if you don't.” Besides, it's warmer this way.
ALT: It's cold out there but a man has to make a living. Fred finds beauty in shades of gray with this image of a trapper and his horse in winter.
-----------------------------------------------------------------------------------------------
Episode 7: Covered Wagon
“A lot of people won't believe this, but I've traveled a lot of miles in a covered wagon,” says Fred. In the 1930s, he asked his father, “Dad, you see them things running up and down the road with the smoke flyin' out of em? Them are cars. That's what people drive on nowadays.” But no Model-T could look this good at the end of its life on the high plains.
ALT.: While many families enjoyed the luxuries of a Model-T car, Fred and his relatives traveled in a covered wagon. In this painting, one sits quietly passing its last days by some prairie trees.
----------------------------------------------------------------------------------------------
Episode 8: Miner’s Cabin
You're going to want to walk right into this painting, open the door and sit by the fire. This scene of a cabin in the woods reminds Fred of the days when he "worked the mines for a dollar a day." Using the pallet knife, he shows us how to create the impression of logs, light and reflection, allowing subtlety to rule. As always, we enjoy Fred's mix of life lessons, history and painting.
ALT.: It isn't easy making a living in the winter. Fred paints this cozy, snowcapped miner's cabin, reminding us of the things we look forward to in coming home.
Saturday, May 21, 2011
Hanford Reach Nat'l Monument Script 2009
Hanford Reach National Monument Script
KEY
CAPITAL - Narrator VO
Standard - Interview words
Underlined info - check factuality / writer’s notes
* * * - Words omitted
Notes ON FOOTAGE: DRIVE UP TO RIVER IN CAR (VERNITA BOAT LAUNCH)
VISITORS to B-REACTOR (have release)
VIDEO
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AUDIO
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(Monumment Pan) 7_5_09 atop Snake R. Mtn.
**(don’t we have a map?? –kw)
ice-floods image/vid
Scenic of Snake R. Mnmt & Creek 7_5_09
WS River 7_6_09
CU River flowing (not sure there is such a shot but if is would be on 7_6_09 cards)
NPRR train
Historical Image(s) Hanford / White Bluffs in 30s, 40s
Barbed Wire video, pull from reactor to pretty flowers in foreground
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VO: BEFORE ANY SHIPS EVER SAILED FOR AN UNKNOWN WORLD, IN THE LAND WHERE A GREAT RIVER RAN, PEOPLE AND NATURE COEXISTED.
IN THE ARID DESERT STEPPE OF EASTERN WASHINGTON, LOW PRECIPITATION AND A RICH GEOLOGIC HISTORY HAD FORMED AN ENVIRONMENT OF LOW PLANTS, STARK MOUNTAINS AND LIVELY CREEKS.
DESPITE THE OPULENT WATERS OF THE COLUMBIA RIVER, ITS BASIN HERE WAS NOT ATTRACTIVE TO EARLY EUROPEAN SETTLERS. TOO DRY FOR AGRLICULTURE, WITH NO WOOD FOR BURNING OR BUILDING, THE REGION WAS HOME EXCLUSIVELY TO THE WANAPUM PEOPLE AND OTHER NATIVE TRIBES UNTIL THE RAILROAD, IRRIGATION AND – ULTIMATELY – THE UNITED STATES GOVERNMENT, CAUSED PROGRESSIVE SURGES IN POPULATION GROWTH AND DEVELOPMENT.
DURING WORLD WAR II AND THROUGHOUT THE COLD WAR, HANFORD’S NATURAL BEAUTY WAS PROTECTED WITHIN THE 640 SQUARE MILES THAT THE U.S. DEPARTMENT OF ENERGY HAD ENCLOSED FOR THE NUCLEAR RESERVATION IT BUILT HERE IN THE ‘40s.
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Cont’d pull over Lamont’s first few words
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Lamont Glass
23:06:35:00
Though all of those lands, because of the nuclear activities, were protected from development, were protected from intrusion by, by people and, as a result, wounded [sic] up with some pretty significant wildlife resource values. And so, later, as the mission of the Hanford site changed away from nuclear [sic] production and facilities, the need for that security began to decline. And over time, a movement went forward to, to preserve some of those lands .
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Michelle
*Photos of press and dignitaries at site(X:)
*No Fed. Control” sign on 7_6_09, 32card1 (?)
Rick photos X:/Nat’l Parks/ LARO&HARE /HARE/Images for Edit /Rick Leaumont… - use cropped versions, edited by Mike for edit use.
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Michelle Gerber
7_5_09 8-5 32card 1
23:45:15:00
The process of getting preservation wasn’t, was not short, was not simple. Um, there were a lot of competing viewpoints over what should happen. Whether it should be federal, whether it should be locally controlled.
Out @ 23;46;13.15
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Rick
Vide of Lamont and Dan Haas cleaning up illegal use of beach on 7_6_09 OR Lamont and Lacey getting in FWS car and driving off to Rattle Snake Mt.
Continue ftg above over Rick 1st sentence
Rick
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Rick Leaumont, Conservation Committee Chairperson, Lower Col. Basin Audubon Society
00:05:30:00
…. we, we wanted the property transferred to the management of the fish and wildlife service, where professional wildlife personnel and a wildlife agency uh, could maintain this treasure. So, uh, although the Department of Energy still owns the land it has been designated as a national monument and is managed by the US Fish and Wildlife Service.
OUT @ 00;05;52.19
00:07:33:12
Shrub step Habitat in the northwest is disappearing faster than Old Growth Timber
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Michelle and/or Hanford scenic. River, White Bluffs.
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Michelle Gerber
23:51:55:00
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THE PROCLAMATION PDF file on
X: /kwsu /NAT’L Parks /LARO + HARE/ HARE/ Images for edit
**CHECK CHANGES
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THE WATERS OF THE COLUMBIA FLOW ALONGSIDE THE HANFORD NUCLEAR RESERVATION, A PLACE ONCE USED FOR NUCLEAR ARSENAL DEVELOPMENT. HERE, NEAR THE END OF WORLD WAR TWO, MOST OF THE NUCLEAR FUEL USED IN THE ATOMIC BOMB DROPPED ON NAGASAKI WAS PRODUCED. BUT THOSE DAYS ARE GONE.
IN JUNE OF 2000, PRESIDENT BILL CLINTON SIGNED A PROCLAMATION WHICH DESIGNATED LARGE SECTIONS OF HANFORD AS A NATIONAL MONUMENT. TODAY, THE SITE IS COMMITTED TO RETURNING EVEN MORE OF ITS LAND TO ITS ORIGINAL CONDITION AND OPENING IT UP FOR PUBLIC ACCESS.
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Lamont
PROCLAMATION / Scenics/
Monument MAP
**REDUNDENT
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Lamont
23:07:16:00 [can cut for time]
And so in 2000, with the Clinton declaration, he basically created the Hanford Reach National Monument, which is this sort of half-circle around the original Hanford site, in which is created for the protection of wildlife.
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B-Reactor visitors (have release – use). OVERLOOK point. Car to water at Vernita Bridge, POV inside car. People recreating at Vernita Boat Launch
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THE PROTECTION OF WILDLIFE IS THE CENTRAL FOCUS OF A NATIONAL MONUMENT. UNLIKE NATIONAL PARKS, WHICH CAN HAVE VARIOUS OTHER MISSIONS, A NATIONAL MONUMENT FOCUSES ON THE PRESERVATION OF WILDLIFE AND ITS HABITAT.
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Lamont
People boating on River
Vernita boat launch footage all on 7_6_09
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Lamont Glass
23:10:20:00
… As a member of the Refuge System, we have certain sort of core ideals…that, that we’re required, by congress, to to manage these lands under.
THE SIX MAJOR RECREATIONAL ACITIVITIES SUPPORTED BY THE FISH AND WILDLIFE SERVICE AT HANFORD ARE:
FISHING
HUNTING
WILDLIFE OBSERVATION SUCH AS BIRD WATCHING
WILDLIFE PHOTOGRAPHY
ENVIRONMENTAL INTERPRETATION AND
ENVIRONMENTAL EDUCATION
-- ALL WILDLIFE-DEPENDENT ACTIVITIES
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Dan
Video of Ringold on 7_6_09 – the most green thumbnails w lush trees
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Dan Haas
21:45:36:00
The Ringold Area was one of the most heavily hunted areas on the monument. They hunt both water foul and upland game birds like chucker, gray partridge and pheasant and California Quail.
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Dan and Lamont picking up garbage from illegal beach use 7_6_09
Lamont
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ACTIVITIES PEOPLE MAY OTHERWISE ASSOCIATE WITH NATIONAL PARKS OR MONUMENTS MAY NOT BE SUPPORTED AT HANFORD. BEACH USE, FOR INSTANCE.
Lamont
23:14:00:00
Beach use is generally not a compatible for wildlife refuges. You’re not there to, you know…uh, working your tan is not…seeing wildlife. It’s not centered around that wildlife activity that we’re looking for. OUT @ 23:14:31:00
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Elk, deer and other animals
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TODAY, UNDER THE GUIDANCE OF THE FISH AND WILDLIFE SERVICE, HANFORD IS A PLACE WHERE VISITORS CAN EXPERIENCE NATURE IN WAYS NOT READILY AVAILABLE AT OTHER PARKS AND RECREATION AREAS.
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Dan
21:39:54:00
One of ten goals is to manage for solitude and aesthetics. Ahm… You know, it’s. Despite it’s being one of the largest clean-up efforts in the world, It’s amazing how many places you can go out there and not hear anything except the wind or the …or the birds. .
Rick Leaumont
00:10:19:00
…Uh, I would say my favorite uh, part of the Hanford Reach is to put uh, a boat in at the Vernita Bridge and to just drift down the river, go through the Coyote Rapids, uh drift along the uh, White Bluffs, uh, look at the raptors at uh, at that perch along the bluffs. Enjoy the white pelicans, and just the, the peace and the quiet and the solitude of uh, the river
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Kris Watkins
1:05:49:00
when
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HANFORD’S NATURAL BEAUTY IS REPRESENTED BY THE INDIGENOUS SHRUB-STEPPE HABITAT, BY THE ANIMALS…THE SALMON. BUT ALSO BY THE SHIMERING WHITE BLUFFS THAT LINE THE RIVER’S REACH HERE.
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Dan
21:34:40:00
The White Bluffs are the signature feature of the Hanford Reach and probably the Monument as a whole. It’s what’s on all of our posters. It’s what’s on our brochures.
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IT COULD BE CONSIDERED A LUCKY CIRCUMSTANCE THAT THE U.S. DEPARTMENT OF ENERGY CHOSE THIS REMOTE WASHINGTON LANDSCAPE IN 1943 FOR ITS WARTIME NUCLEAR WEAPONS DEVELOPMENT. THROUGH THE RESULTING SECRUTITY AND PROTECTION, THE HANFORD SITE – NAMED FOR A TOWN THAT WAS EVACUATED AND DEMOLISHED FOR THE PROJECT - GAINED THE STATUS OF NATRUAL-RESOURCES PRESERVE. THE LAST UNTOUCHED EXPANCE OF SHRUB-STEPPE HABITAT, THE ONLY FREE-FLOWING SECTION OF THE COLUMBIA RIVER, AND A PLACE WHERE THE REGION’S DEER, ELK, BIRDS, AND COYOTES CAN THRIVE WITHOUT FURTHER THREAT OF DISPLACEMENT.
THE SITE’S MILITARY HISTORY, HOWEVER, GIVES THE VISITOR’S EXPERIENCE A LAYER OF HISTORY THAT WOULD NOT HAVE BEEN POSSIBLE IF THE LAND HAD BEEN PRESERVED FROM DEVELOPMENT IN SOME OTHER WAY.
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Footage of reactors along river. Historical photos of Hanford and pics along bank. (kids bathing?). Also, footage from lookout point on other side of shore. Chris said too far away but look at it.
Footage of B reactor along road where sightseers found. 7_5
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Dan
21:23:43:00
A trip down the River is a trip through time. You’ll see everything from intake structures from the mid-1800s for the communities that sprang up along the river, to intake structures and nuclear reactors from the Cold War. Uh, all of that contributes to …your..trip through history as you go up and down the River and it’s / it’s ay / an experience unique to Hanford.
THE B REACTOR, ONLY THE SECOND NUCLEAR REACTOR IN THE NATION, IS VISIBLE FROM THE RIVER AND FROM THE SHORE. ALTHOUGH IT IS NOT ON MONUMENT LAND, VISITORS TO THE MONUMENT CAN SEE THE REACTOR, AND SEPARATE ARRANGEMENTS CAN BE MADE FOR AN INSIDE VISIT.
Michelle Gerber
23;54;20.18
It turns out the B Reactor is the one signature facility that’s left in the entire nation that symbolizes the Manhattan Project.
23:47:25:00
I’m so glad of course that the Hanford Reach is preserved. It is unique and along its banks, sits a museum on the landscape. Um, a look at American history.
B Reactor was built in response to Pearl Harbor. N Reactor, just down river, was built in response to Sputnik. Other reactors were built in response to international events. And so, as a historian, I have to say, this is amazing, unique, important and I’m so glad it’s preserved. 23;47;52.08
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THE HANFORD REACH NATIONAL MONUMENT WAS ESTABLISHED IN [THE YEAR] 2000, AFTER MORE THAN A DECADE OF EFFORT BY COMMUNITY GROUPS TO PRESERVE THE AREA FROM MODERN DEVELOPMENT. TODAY, IT IS A NATURAL PRESERVE FOR THE PROTECTION OF WILDLIFE AND HAS A RICH HISTORY. NATIVE LANDS, EUROPEAN SETTLEMENTS AND FEDERAL USE HAVE LEFT A STORY HERE THAT MERGES NATURE AND TECHNOLOGY. ODDLY SEEMLESS, THE CLEAN-UP EFFORTS CONTINUE WHILE VISITORS ARE ENCOURAGED TO VISIT THIS LARGELY UNTOUCHED WASHINGTON TERRITORY.
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Dan
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Dan Haas
21:37:45:00
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21:38:40:00
But that’s what Hanford was and What Hanford is now is coyotes and deer. It’s Elk and porcupines and pelicans and cormorants. It’s Native American use stretching back 10 thousand years, at least. Ah… it’s people fishing, it’s people coming to experience history and maybe even learn a little bit about themselves. And that’s what the Monument represents today. [the end]
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